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• Fet Audio Limiter
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• Fet Audio Amplifier
• Gan Fet Audio Amplifier
• Fet Audio Amplifier Schematic

Welcome to mosfet lover community

The N-JFET Audio Preamp Schematic The input transistorQ2 is an N-channel JFET. JFET must be selected from among multiple devices for the desired bias value. Fortunately, due to the low current involved, desirable devices. European Clients www.advancedaudio-europe.com Advanced Audio Microphones Europe take care of ALL European sales and warranty. Info@advancedaudio-europe.com Shipping Due to the boutique nature of our microphones, each one spends some time on the bench. The MOSFET is also capable of handling higher power than the JFET. The MOSFET was the first truly compact transistor that could be miniaturised and mass-produced for a wide range of uses. The MOSFET thus became the most common type of transistor in computers, electronics, and communications technology (such as smartphones).

JFET-MOSFET Power Amplifier

Ir. F. Didik Wiryawan Adhi Prasetya

Jakarta, Indonesia

Utilizing a 3-micron, single-sided, gold-sputtered capsule, high-quality Jensen audio transformer, military-grade FET and custom designed low-noise resistors, the MA-201fetVG performs at a level reminiscent of some of the best loved classic condenser microphones. The FET has three electrodes: Source: The Source is the electrode on the FET through which the majority carriers enter the channel, i.e. At acts as the source of carriers for the device. Current entering the channel through the source is designated by IS. Drain: The Drain is the FET electrode through which the majority carriers leave the channel, i.e. They are drained from the channel.

A lovely country with endless attraction.

In the era of ’70 until the end of ’80, the audio amplifier manufacturers competed with each other offerring superior technical specifications in terms of the wide frequency response, total harmonic distortion and intermodulation distortion that under 0.01% (ranging 0.01 to 0001%) and many other things that could be regarded as a ‘selling point’ for each of each brand.
Until now, the technical specifications of the ‘ideal condition’ is still used as a reference.
But among the ‘audiophiles’, especially for the DIYer (Do It Your Self), seemingly the technical specifications of the ‘ideal condition’ will not be used as a single standard, although not to be ignored altogether.
Among this community (audiophiles), the resulting sound to reproduce the original sound is as beautiful as preferred.
It is often found an audio system has a beautiful voice with all the requirements of audiophile, however surprisingly, its common technical specifications are worse than a system of regular ‘HiFi Compo’.

There are 2 different adherents on topology but not necessarily debated:

Adherent 1 : Who need very few components, this may be called ‘minimalist’ or “KISS” (stand for Keep It So Simple) with the goal of natural sounded much less of sound colouration, regardless that the technical specifications are beyond the ideal.

Adherent 2 : Those are idealist design topology very obedient in the text book and an ideal outcome measurement, which resulted in the last chain becomes very complicated and requires many electronic components.

And I may add one more role models are : No minimalist but not too ‘text book minded’, but having a main purpose : to design amplifier having nice and beautiful sound but with the technical requirements which was not too bad.

AMPLFIER with JFET input and MOSFET output. Based on the schematic of a famous Swiss made power amplifier (Goldmund Mimesis3), I did some little modifications on each stage according to my personal taste.

After a long listening, testing and did some changes (tweaking) as well as an understanding of the sound character (a little research and trial), then as the end result, I put it in the design which now named : Mosfet Power Amplifier MP50Di. The Power Amplifier “MP50Di” using JFET (2SK170) in the front end and HITACHI/Renesas Lateral Mosfet (2SK1058/2SJ162) on the amplifier tail end.

Technically, the comparison of performance design using Bipolar Junction Transistor (BJT) and FET / MOSFET will not be much different, but the real difference will be felt at the time of listening especially the clarity and purity sounded on mid and highs region (vocal and acoustic instrument) which is difficult to meet on BJT. There are nuances unique sound that can not be generated by the BJT amplifier.

Design Topology DRAFT.
Before entering into a complete range of the MP50Di, it helps us look at the basic topology of this series starts from the most simple.
In addition, it should be noted that this project (especially MP50Di), is not recommended for beginners. Small mistakes made by one who has not had enough experience and do not understand basic circuit work, will result in useless waste of funds. The most basic circuit topology for this design can be seen in Figure-1.

Fet Audio Limiter

It is a simple 3 stages amplifier:
– input, differential amplifier (or LTP = long-tailed pair),
– VAS (voltage amplifier stage) and
– the amplifier end (with mosfet 2SK1058/2SJ162).

Figure-1 :

The simplicity of the basic design is easily seen on a MOSFET amplifier circuit without including the driver stage.
It is almost impossible for BJT end with this simple design can produce output power of 50W even though half of it.
The output of the differential pair Q1 on Q1 and Q2 (2SC2240), is fed into Q3 (2SA968) which is a VAS with ‘bootstrap’ of R6 and R7.
Q3 is directly driving the final amplifier MOSFETs (K1058 & J162), which can produce up to 100W RMS power output (theoritically), which can not be applied at the BJT end amplifier (because the BJT is ‘current operated devices’ while the Power MOSFET is ‘voltage operated devices’ which does not require large currents to drive it).
Note: Q3 here using 2SA968, a medium power transistor, even though with a small transistor such as 2SA970 (or MPSA92), it can work well without any difference in sound quality. The use of 2SA968 is juts for job security of the device not too close to allowable heat dissipation and easy installation of the heatsink if needed.

Quality Improvement of Phase-1
Improved quality of phase-1 was done by adding a constant current source formed by the Q3A and QZ (2SC2240) replaced R4 and R5 and ‘current mirrors’ which is formed by Q3B and Q3C (2SA970) replaced R3.

Figure-2 :

These changes resulted in significant sound quality improvement.
The simplest thing that appeared in the measurement with the DMM (digital multi meter) was the DC offset of 35mV dropped dramatically to about + / – 3.5mV.
The schematic of this improved quality of phase-1 discribed in Figure-2
This circuit is very similar with Project 101 of Rod Elliot of ESP, Australia, the famous simple mosfet amplifier. (http://sound.westhost.com/project101.htm)
Theoretically, this quality improvement (Figure-2) were very influential in improving linearity (also increased in ‘open loop gain’), it was proven in comparative listening test.
Ears fatigue which arise at the time ‘listening’ on previous model, had been greatly reduced here. Music reproduction, sounded more detailed than ever before. Sound staging and clarity were improved compared to previously that had a little noisy because the sound of several musical instruments more likely fight over each other which caused image of ‘position of the music players’ were not definitively clear.

Quality Improvement Phase-2
Although Figure-2 has been producing a quite sufficient sound and can be said to be ‘superior’ than class ‘HiFi Compo’ (even a well-known branded), however driving final amplifier MOSFETs directly from a simple VAS (Voltage Amplifier Stage), has many weaknesses that result in disruption linearity at power levels above 10W (disclaimer : this is on my personal opinion, I didn’t measure it) especially in long enough operation.
This is because the VAS current is very small, less able to do a ‘charge’ and ‘discharge’ to the MOSFETs quickly.
Mosfet amplifier topology without a driver can work very well for the application of class A with low output (let say 10watt) but will be felt weakness on the operation of large power and not a class A (class B).
This weakness is one reason of ‘ears fatigue’ as mentioned above, nevertheless this weakness is only detectable by an experienced audiophile, it is not clearly detectable on measurement equipment (oscilosocope).

Improved quality of phase 2 was done by adding one stage of the driver (Q10 and Q11), 2nd VAS Q6-Q7 with current mirror which is formed by Q8-Q9 and changed the mode of final mosfet from a source follower to become a common source as set out in Figure-3.

Figure 3 :

The driver mode is a common emiter and the final is a common-source which both have voltage gain.

With this configuration, the amplifier would give more powerfull and tighter bass (I am a bass lover !)

(Updated July 13^th, 2012)

To be honest, this configuration (tail end topology) was inspired by design of David NJ White, “High Quality 100W MOSFET Power Amplifier” (unfortunately, the link : www. wnaudio.com is no longer exist).
The change of simple VAS into differential VAS should also be supported by changed in configuration mode of differential input circuit (input LTP), by changing it from unbalance mode output (single ended) to balance mode output.
Changed in single VAS transistors into a differential VAS (VAS LTP) that loaded by current mirror Q5a and Q4a, providing a significant linearity improvement compared to the composition of the bootstrap R6 and R7 in Figure-1 and Figure-2.
With the high charging speed and discharge, it can achieve good linearity especially when dealing with fast music with dominant high notes.
In addition to change of VAS, the topology at the tail end also be changed which is no longer power follower (no voltage gain) but became a voltage gain circuit.

(July 13th, 2012)
At first glance, you would think of it as a schematic of GoldMund Mimesis3, but please look at the final stage, they are much different of mode. This is a drain follower driven by collector follower (common emitter, Q10-Q11).

I deliberately chosen the power supply voltage 56V to match my vintage SANSUI AU719 and designed the pcb with dimension matched to the main power unit of AU719. I took off the whole main power amplifier unit AU719 and replaced it with this design that is named MP50Di (stand for Mosfet Power Amplifier 50 watt Didik :p). The amplifier run in class AB with quiescent current 200mA, it is a heavily class AB and quite warm, need fan to cool it down.

Was I happy with this? Yes, of course but not really satisfied yet since I saw there was more able to be done for further improvement.

Further improvement will be coming soon ! 😆

• Hi i want class A 100 watts amp circuit digram

• Hello Mr.Didik,
  I think, it must sound excelent(your amplifire).
  If you have PCB layout in pdf. for iron transfer,will you post it or send me to e-mail?
  Best regards
  Slobodan

• Hi!
  Have read with interest! It is too uneconomic to run amps in pure class A, But I have allways had a feeling that A/B is a lousy solution as it somehow does not sound right (at least when playing LOUD). So I am looking forward to see what You can come up with.

  Thank You very much
  Mike

• Hi!
  I can “only” find one possible improvement. try to replace the 2SK170 long tail with a SATRI-IC. I think it will lower distortion and better S/N.

  best of luck
  Mike

• U did great work.u described 3 disine detailed.i want to build Curcuit figure 3 I love clear voice and bass and aslo u told that it is more than hifi…i desised to make 5.1 audio with sorround or with sorround.brcause I want clean voice and bass so I can fly in air…iam not talking about subwoofer….
  MY QUESTION ARE….
  1)…I want to fill 6 to 10 channels.means 6 to 10 figure 3 circuits.so I have to spend a lot of money on this…
  2)…is this figure 3 circuit is suitable for subwoofer…
  3)…is this ckt is suitable for sorround.in future I will add sorround preamp.
  IAM NOT AN EXPERT I HAVE INOUGH KNOLEDGE TO BUILD IT…so pls help me…
  I LOVE U R WORK U POSTING THIS CKT FOR OTHERS

• I have big romm so I desided to make 6 to 10 channels iam not bothering about weight….u r sansui deck look great

• Tremendous issues here. I am very glad to peer your article.
  Thank you a lot and I’m taking a look ahead to contact you.

  Will you kindly drop me a mail?

• Will it be possible to change the out put to all n-channel mosfet looking at the out put connection is acting like all n-channel

• To my observations I did notice that it sounds great but when there is a problem with output they all goes off. Which do happen in all n-channel output. Am coming with this suggestion because in my country n-channel power mosfet is common and I did try my hands on them in citation12 with a slight modifications to meet my +/-72 and it was so amazing with power output. Now I will try jfets on the input of citation12 by Nelson pass and see how it sound.

FET, Field Effect Transistor Circuit Design Includes:
FET circuit design basicsCircuit configurationsCommon sourceCommon drain / source followerCommon gate

Field effect transistors are used in circuit design as they are able to provide very high input impedance levels along with significant levels of voltage gain.

Unlike the bipolar transistor which is a current controlled device, the field effect transistor is voltage controlled. This makes the way FET circuits are designed rather different to the way bipolar transistor circuits are designed.

However, circuits with current and voltage gain can still be designed and similar circuit formats are adopted.

FET circuit basics

When considering the use of a FET circuit, it is necessary to consider FET technology and the type of field effect transistor will be the most applicable.

Note on Field Effect Transistor Technology:

The field effect transistor, FET, is a three terminal device which provides voltage gain. Having a high input impedance the electric field in the vicinity of the input terminal called the gate modifies the current flowing in what is called the channel between terminals called the source and drain.

Read more about the Field Effect Transistor Device & How it Works

Fet Audio Amplifier Circuit

The FET has three electrodes:

• Source: The Source is the electrode on the FET through which the majority carriers enter the channel, i.e. at acts as the source of carriers for the device. Current entering the channel through the source is designated by IS.
• Drain: The Drain is the FET electrode through which the majority carriers leave the channel, i.e. they are drained from the channel. Conventional current entering the channel via the drain is designated by the letters ID. Also Drain to Source voltage is often designated by the letters VDS
• Gate: The Gate is the terminal that controls the channel conductivity, hence the level of voltage on the gate controls the current flowing in the output of the device.

FET circuit design parameters

Fet Audio Amplifier

When starting out on the design of a FET circuit, it is necessary to determine the basic requirements for the circuit. These will govern many of the decisions regarding the type of circuit topology to use and also the type of FET to use.

There can be a number of parameters required in the requirements for the transistor circuit design:

• Voltage gain: The voltage gain is often a key requirement. It is the output signal voltage divided by the input signal voltage.
• Current gain: This is the gain of the FET circuit in terms of current. It may be necessary to drive a high level of current into the load.
• Input impedance: This is the impedance that the previous stage will see when it is providing a signal to this FET circuit in question. FETs inherently have a high input impedance to the gate and therefore FETs are often used where this is of paramount importance.
• Output impedance: The output impedance is also important. If the FET circuit is driving a low impedance circuit, then its output must have a low impedance, otherwise a large voltage drop will occur in the transistor output stage.
• Frequency response: Frequency response is another important factor that will affect the FET circuit design. Low frequency or audio transistor circuit designs may be different to those used for RF applications. Also the choice of the FET and capacitor values in the circuit design will be greatly affected by the required frequency response.
• Supply voltage and current: In many circuits the supply voltage is determined by what is available. Also the current may be limited, especially if the finished FET circuit design is to be battery powered.

FET types for circuit design

As there are several different types of field effect transistor that can be used, it is necessary to define at least some of the FETs that can be used within the circuit design process.

The table below defines some of the different types and characteristics that can be encountered.

Gan Fet Audio Amplifier

When designing an FET circuit, it is first necessary to select the required type of FET. Factors including the basic type of FET including whether it is a junction FET or MOSFET or another type as well as the mode type and other factors all need to be determined to before it is possible to proceed with the circuit design.

Fet Audio Amplifier Schematic

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